艾可直播

Books

Editor with Jeffrey Hamburger, William Stoneman, Anne-Marie Eze, and Lisa Fagin Davis. 聽Beyond Words: Illuminated Manuscripts in 艾可直播 Collections, Chestnut Hill, MA, 2016.

贰诲颈迟辞谤,听Secular/Sacred, Chestnut Hill, 2006

Editor with Virginia Reinburg.聽Fragmented Devotion: Medieval Objects from the Schnutgen Museum in Cologne, Chestnut Hill, 2000.

Editor with Virginia Reinburg.聽Memory and the Middle Ages, Chestnut Hill, 1995.

Cultural Interplay in the Eighth Century: The Trier Gospels and the Making of a Scriptorium at Echternach, Cambridge University Press, 1994.

Medieval Objects in the Museum of Fine Arts, 艾可直播: Metalwork. 艾可直播, 1991.

With Hanns Swarzenski,聽Medieval Objects in the Museum of Fine Arts, 艾可直播: Enamels and Glass, 艾可直播, 1986.

Editor with Jeffrey Hamburger, Anne-Marie Eze, Lisa Fagin Davis, and William Stoneman,聽: New Research on Manuscripts in 艾可直播 Collections,聽PIMS,聽University of Toronto Press, 2021.

Articles and Book Chapters

鈥淭he Book of Durrow and the Lindisfarne Gospels鈥� in The Lindisfarne Gospels, New perspectives, Richard Gameson, ed. Leiden, 2017, pp. 166-182.

"Cloths of Ireland's New 'Golden Age': Creating Textiles for the Honan Chapel" in V. Kreilkamp, ed., The Arts and Crafts Movement: Making it Irish, Chestnut Hill, MA, 2016, pp. 101-116.

"Displaying Roman Britain in the British Museum" in Roman in the Provinces: Art on the Periphery of Empire, Lisa R. Brody and Gail L. Hoffman, eds., Chestnut Hill, MA, 2014, pp. 195-214.

鈥淭he Design and Decoration of Insular Gospel-Books and other Liturgical Manuscripts鈥� in The Cambridge History of the Book in Britain, volume I c. 400-c. 1100, Richard Gameson, ed., Cambridge University Press, 2012, pp. 225-243.

鈥淣ew Finds Versus the Beginning of the Narrative on Insular Gospel Books鈥�, in Insular and Anglo-Saxon Art and Thought in the Early Medieval Period, Index of Christian Art Princeton University, Occasional Papers, 13, Colum Hourihane, ed., Princeton, 2011, pp. 3-13.

鈥淭he 鈥楥eltic鈥� Bronzes from Dura Europos: Connections to Britain,鈥� in Dura Europos: Crossroads of Antiquity, Lisa Brody and Gail Hoffman, eds., Chestnut Hill, MA, 2011, pp. 283-294.

鈥淔raming the Book of Durrow inside/outside the Anglo-Saxon World鈥�, in Shaping Understanding: Form and Order in the Anglo-Saxon World, ed. L. Webster., Anglo-Saxon Studies in Archaeology and History, 16, 2009, Oxford, pp. 65-78.

鈥淭he Rise of the Study of the History of Christian Art鈥� in M Brown, The Lion Companion to Christian Art, Oxford, 2007, pp. 297-299.

鈥淚nsular and Islamic Cosmophilic Responses to the Classical Past鈥� in S. Blair and J. Bloom, Cosmophilia: Islamic Art from the David Collection, Copenhagen, Chestnut Hill, MA, 2006, pp. 39-44.

鈥淪ecular鈥� and 鈥淪acred鈥� Objects from the Middle Ages: Illuminating the History of Classification鈥� in Secular/Sacred: 11th 鈥� 16th Century Works from the 艾可直播 Public Library and the Museum of Fine Arts, 艾可直播, ed. Nancy Netzer, Chestnut Hill, MA, 2006, pp. 11-18.

"Art Full Ground: Unearthing an Irish Past," in Vera Kreilkamp, ed. Eire/Land, Chestnut Hill, MA, 2003, pp. 49-56.

"Style: A history of uses and abuses in the study of Insular Art," in Redknap, Edwards, Youngs, Lane and Knight, eds. Pattern and Purpose in Insular Art, Oxford, 2002, pp. 169-177.

"Collecting, Re/collecting, Contextualizing and Recontextualizing: Devotion to Fragments of the Middle Ages," Fragmented Devotion: Medieval Objects from the Schn眉tgen Museum, Cologne, Chestnut Hill, MA, 2000, pp. 17-30.

"Die Arbeitsmethoden der insularen Scriptorien Zwei Fallstudien: Lindisfarne und Echternach," in J. Schroeder, ed. Die Abtei Echternach 698-1998, Luxembourg, 1999, pp. 65-83.

"The Book of Durrow: The Northumbrian Connection," in J. Hawkes ed. The Golden Age of Northumbria, Newcastle-upon-Tyne, 1999.