艾可直播

• GONE: Site-specific Works by Dorothy Cross by Robin Lydenberg (McMullen Museum and University of Chicago Press: 艾可直播 2005).
• Feminist Approaches to Theory and Methodology: An Interdisciplinary Reader, edited by Sharlene Hesse-Biber, Christina Gilmartin, Robin Lydenberg (Oxford University Press: New York, 1999).
• William S. Burroughs at the Front: 听Critical Reception, 1959-89, edited by Robin Lydenberg and Jennie Skerl. (Southern Illinois University Press: Carbondale, 1991).
• Word Cultures: 听Radical Theory and Practice in William S. Burroughs' Fiction, by Robin Lydenberg 听(University of Illinois Press: Urbana, 1987).

Articles and Chapters in Books

• "Reading Lessons in Alison Bechdel's Fun Home: A Family Tragicomic," forthcoming in College Literature.
• "Dorothy Cross and the Ethics of Touch," in Connemara, Dorothy Cross (Dublin: Royal Hibernian Academy, 2014): 6-13.
• "Under Construction: Alison Bechdel's Fun Home: A Family Tragicomic," European Journal of English Studies, Vol 6, issue 1 (2012): 57-68.
• 鈥淒uchamp鈥檚 Legacy: Aesthetics, Gender and National Identity,鈥� Ladies and Gents: Public Toilets and Gender, ed. Olga Gershenson and Barbara Penner 听(Philadelphia: Temple University Press, 2009): 151-66.
• 鈥淪ite as Stage: Dorothy Cross at the Opera,鈥� Scenography International 9 (2007) (electronic juried journal)听
• 鈥淒orothy Cross and the Art of Dispossession,鈥� 听CIRCA 112 (Summer 2005): 24-33.
• 鈥淐ontemporary Irish Art on the Move: At Home and Abroad with Dorothy Cross,鈥�
• Eire-Ireland 39. 3 & 4 (Fall/Winter 2004/2005):110-35.
• 鈥淔rom Icon to Index: Some Contemporary visions of the Irish Stone Cottage,鈥� Eire/Land, ed. Vera Kreilkamp (McMullen Museum of Art: 艾可直播, 2003):127-33.
• "Ways of Seeing: Recent Work by Dorothy Cross," Contemporary (January 2002): 26-31. 听
• "William Burroughs: The Tapes," William S. Burroughs: Time, Place, Word, ed. Eric C. Shoaf (Proividence: John Hay Library, Brown University, October 2000): 26-34.
• 鈥淒orothy Cross, Beyond Feminism鈥� Eire-Ireland (Fall/Spring 1999):212-26.
• "Freud's Uncanny 听Narratives," PMLA(October 1997), 听pp.1072-86.
• "'Sound identity fading out': 听William Burroughs' Tape Experiments," in Wireless Imagination: Sound, Radio and the Avant-garde (Cambridge: MIT Press, 1992), ed. Doug Kahn.
• "Battambang: 听The Unnamable," in Marguerite Duras: The Unspeakable, Essays for Marguerite Duras (Potomac: Scripta Humanica, 1992), ed. Methchild Cranston, pp.89-99. 听
• "Points of Intersection," in William S. Burroughs at the Front, co-authored and co-edited with Jennie Skerl (1991).
• "Risky Pleasures: 听Feminism and the Avant-Garde," (review/article on Susan Suleiman's 听Subversive Intent), Critical Texts 7.1 (1990) , 听46-53.
• Review of Nicholas Zurbrugg, Beckett and Proust, in Review of Contemporary Fiction 听(Spring, 1989), pp. 253-55.
• "Engendering Collage: Collaboration and Desire in Dada and Surrealism," in Collage: A Reconsideration (UMI Press, 1989), ed. Kathryn Hoffman, pp. 271-286.
• "El Hombre Invisible," The Nation(March 19, 1988), pp. 387-89. 听(Review/Article on Burroughs' The Western Lands) 听Reprinted in William S. Burroughs at the Front (1991).
• "Notes from the Orifice: Language and the Body in William Burroughs,"Contemporary Literature, 26:1 (1985), pp. 55-73.
• "Beyond Good and Evil: 听'How-To' Read Naked Lunch," 听Review of Contemporary Fiction, 听4:1 听(1984), pp. 75-85.
• "Ghostly Rhetoric: 听Ambivalence in Matthew G. Lewis' 听The Monk," 听Ariel: 听A Journal of International English Literature, 10, No. 2 (1979), 65-78. 听(Reprinted in NCCR, forthcoming.)
• "Borges as a Writer of Parables," International Fiction Review, 听6, No. 1 听(1979), 31-39. 听(Reprinted in Contemporary Literary Criticism, vol. 13, pp. 111-13.)
• "Against the Law of Gravity: 听Female Adolescence in Isak Dinesen's 听Seven Gothic Tales," 听Modern Fiction Studies, 24, No. 4 (1978-79), 521-32. 听(Reprinted in Collection of Short Story Criticism, 听1992.)
• "Metaphor and Metamorphosis in Les Chants de Maldoror," 听Esprit Cr茅ateur, 18, No. 4 (1978), 3-14.
• "Gothic Architecture and Fiction: 听A Survey of Critical Responses," Centennial Review, 听XXII, 1 (1978), 95-109.
• "Cut-Up: 听Negative Poetics in Roland Barthes and William Burroughs," Comparative Literature Studies, XV, 听4 听(1978), 听414-30.
• "Surviving Lautr茅amont: The Reader in Les Chants de Maldoror," Esprit Cr茅ateur, 听XVII, 听No. 3 听(1977), 听211-27. [ Reprinted in French Poetry from the Rennaissance to 1915, ed. Harold Bloom (New York: Chelsea House Publishers, 1992)]
• "Advertising Rhetoric: 听Myths of Nature and History," 听Michigan Quarterly Review, 听XVII, No. 1 (1978), 65-75.
• "L'artifice comme technique narrative dans Les Chants de Maldoror," Literatur in Wissenschaft und Unterricht, 听X, 听No. 2 听(1977), 听115-29.
• "Towards an Invisible Commentary," Diacritics, 6 No. 1 (1976), 27-33.

Papers Delivered at Conferences

• 鈥淩ace and Representation: Carrie Mae Weems,鈥� at American Image/Text conference, University of East Anglia, Summer 2011.
• 鈥淩eading Lessons from Alison Bechdel鈥檚 Fun Home: A Family Tragicomic,鈥漚t Association of Art Historians annual conference, April 2010, Glasgow, Scotland.
• 鈥淩esearch Methods: Working with Visual Material,鈥� invited lecture at Charles V, Anglophone Studies (graduate), Paris, March 2007.
• 鈥淒orothy Cross: GONE at 艾可直播 College,鈥� 听Dublin, July 2005, lecture at 艾可直播 College Institute of Irish Studies.
• 鈥淕eneologies of Ireland in Dorothy Cross鈥檚 Art,鈥� Irish Seminars, Dublin, invited speaker July 2005.
• 鈥淪ite as Stage: Dorothy Cross鈥檚 site-specific operas,鈥� International Scenography Conference, Amsterdam May, 2005.
• 鈥淢emory, Desire and Loss in the Work of Dorothy Cross,鈥� 听Northern Colorado University, invited speaker March 2005.
• 鈥淰isualizing Migration,鈥� paper delivered at International Visual Sociology Association in Southampton, England, July 7-10, 2003.
• 鈥淕eneologies of Ireland in Dorothy Cross鈥檚 Art,鈥� Irish Seminars, Dublin, invited speaker July 2005.
• 鈥淪ite as Stage: Dorothy Cross鈥檚 site-specific operas,鈥� International Scenography Conference, Amsterdam May, 2005.
• ;鈥淢emory, Desire and Loss in the Work of Dorothy Cross,鈥� 听Northern Colorado University, invited speaker March 2005
• 鈥淰isualizing Migration,鈥� paper delivered at International Visual Sociology Association in Southampton, England, July 7-10, 2003.
• 鈥淭he Return of the Repressed and the Impossibility of Desire,鈥� paper delivered at 鈥淐reativity and the Unconscious,鈥� sponsored by London Institute of Psychoanalysis, July 10-11, 2003, London.
• "The Banality of Death," paper to be delivered at Warwick University conference, The Invention of Death, June 2001.
• "Siting/Citing Ireland's Fading History: Dorothy Cross's Site Specific Art Installations," ISAIL international conference at Bath, England, July 2000.
• "In the Toilet: Art and Politics," 艾可直播 College Arts Festival, Spring 2000.
• "The Fertile Void: History and Language in the Art of Dorothy Cross," 艾可直播 College, lecture series related to "Irish Art Now" exhibit at McMullen Museum, November 1999.
• 鈥淭he Fertile Void: History and Language in the Art of Dorothy Cross,鈥� International Irish Studies Association, Barcelona, July 1999.
• 鈥淏eyond Feminism?鈥� 听Irish Women Writers Conference,
• University College Dublin, May,1999.
• "Politics and the Uncanny" at meeting of Psychoanalysis and Culture Association, Washington, D.C., November 7-10, 1996.
• "Science and Narration: the Sexual Theories of Freud and Little Hans,鈥� at Society for the Study of Narrative, Utah, May 1995. 听[On Three Essays on the Theory of 听Sexuality 听and Analysis of a Phobia in a Five-Year-Old Boy.]
• 鈥淔reud鈥檚 Uncanny Narratives,鈥� Society for Study of Narrative, Vancouver, May 1994. [On Freud鈥檚 use of interpolated personal narratives in his essay 鈥淭he Uncanny.鈥漖
• 鈥淭racking Freud鈥檚 Uncanny,鈥� at International Conference on the Fantadstic, SUNY Binhamtom, May 1993. [On theories of the uncanny in feminist theory, popular culture and political theory (Kristeva, Siebers, Bhabha).]
• "The Emergence of the Uncanny," talk delivered at International Association of Philosophy and Literature in Berkeley, May, 1992. 听[On appropriations of the uncanny by psychoanalysis, philosophy and literary theory.]
• "Appropriating Magritte," talk delivered at Annual Conference of International Association of Philosophy and Literature (May, 1991) in Montreal.
• "Teaching Literary Theory through Painting" 听delivered December 14, 1989 at West Chester University as part of a University series on contemporary theory.
• "William Burroughs: 听Precursor of Contemporary Theory," Northeast Modern Language Association, New Jersey, 1986.
• "Lautr茅amont and the Labor of 听Les Chants," Modern Language Association, Chicago 1985.
• "William Burroughs' Naked Lunch," Conference on Postmodern Culture, Virginia, 1982.
• "How-To Read Naked Lunch," Contemporary Literature of the Americas: 听The Writer's World, Puerto Rico 1982.
• "Isak Dinesen's Gothic Tales," 听Modern Language Association, Chicago, 1977.
• "'Celui qui parle: 听narrative Voice in Les Chants de Maldoror," 听Nineteenth Century French Studies Colloquium, Indiana , 1977.
• "The Reader in Les Chants de Maldoror," Modern Language 听Association, San Francisco, 1975.