艾可直播

Books

• 聽(University of Michigan Press, 2013) 聽
• 聽(Main Street Rag Publishing Company, 2010)
• (University of Michigan Press, 2003)

Selected Articles

• 础蹿迟别谤飞辞谤诲.听Theatre Things: Material Theories and Histories, ed. Andrew Lane Friedman and Eero Laine. Ann Arbor: University of Michigan Press. Forthcoming.
• "Epilogue: The Prop as a Stage of Art."聽Props/Requisiten: Staging the Object on the 'Stage of Art.'聽Frankfurt: Goethe University.聽 Forthcoming.
• "Thinking Through Phenomena: Theatre Phenomenology in Theatre and Practice,"聽Theatre Journal聽74 (2022).聽
  
• 鈥淏eyond Sympathy and Ridicule: Re-visiting Frye鈥檚 Comic Catharsis,鈥澛�The Hare: An Online Journal of Untimely Reviews in Early Modern Theater聽5 (2021).聽
• 鈥淓liot and his Problems: Hamlet鈥檚 Correlative Objects.鈥澛�Shakespeare鈥檚 Things: Shakespearean Theatre and the Non-Human World in History, Theory, and Performance, ed. Brett Gamboa and Lawrence Switzky. New York: Routledge, 2020.
• 鈥淎ll鈥檚 I-L-L That Starts 鈥淚鈥檒e鈥�: Mapping Acrostic Space and Ludic Reading in the Margins of the Early Modern Play-Text,鈥澛�Renaissance Drama聽48 (2020).
• 鈥淧rivate language argument I,鈥� 鈥淧rivate language argument II,鈥� 鈥淏eetle Haiku,鈥� 鈥淕host Practice: A Gloss,鈥� in聽Imagined Theatres: Writing For a Theoretical Stage, ed. Daniel Sack. New York: Routledge, 2017 (prose poems).
• "Tragedy and the Common Goat: Deperformative Poetics in Edward Albee's聽The Goat, or聽Who is Sylvia?"聽Modern Drama聽60 (2017): 501-525.
• "Getting on with Things: The Currency of Objects in Theatre and Performance Studies." Theatre Journal 68 (2016): 673-84.
• 鈥淪pectral Readings.鈥� Theatre Journal 64 (2012): 323-36.
• "Take Up the Bodies: Shakespeare's Babies, Body Parts, and Corpses," Theatre Symposium 18 (2010): 135-48.
• 鈥淗ow To Do Things With Demons: Conjuring Performatives in Doctor Faustus,鈥� Theatre Journal 61 (2009): 1-22.
• 鈥淪omething Cloudy, Something Queer: Eugene O鈥橬eill鈥檚 Ah, Wilderness! and Tennessee Williams鈥檚 Period of Adjustment as Problem Comedies,鈥� Journal of Dramatic Theory and Criticism 18 (2004): 37-58.
• 鈥淭he Cheese-Roll Under the Cocktail Cabinet: Pinter鈥檚 Object Lessons,鈥� The Pinter Review Collected Essays 2003 and 2004, ed. Francis Gillen and Steven H. Gale. Tampa: University of Tampa Press, 2004: 29-38.
• 鈥淎bsorbing Interests: Kyd鈥檚 Bloody Handkerchief as Palimpsest,鈥� Comparative Drama 34 (2000): 127-53.
• 鈥淣o Ideas But In Things: Beckett鈥檚 Uncanny Props,鈥� Text & Presentation: Journal of the Comparative Drama Conference 19 (1998): 123-29.
• 鈥淭he Skull on the Renaissance Stage: Imagination and the Erotic Life of Props,鈥� English Literary Renaissance 28 (1998): 47-74.
• 鈥淔elt Absences: The Stage Properties of Othello鈥檚 Handkerchief,鈥� Comparative Drama 31 (1997): 367-93.
• 鈥淪elf-Consuming Artifacts: Power, Performance, and the Body in Tennessee Williams鈥� Suddenly Last Summer,鈥� Modern Drama 38 (1995): 336-47.

Essays in Edited Collections

• 鈥淧roperties,鈥� The Oxford Handbook of Early Modern Theatre, ed. Richard Dutton. Oxford: Oxford University Press, 009.
• 鈥淔rom Technology to Trope: The Archbishop鈥檚 Ceiling and Arthur Miller鈥檚 Prismatic Drama,鈥� in Arthur Miller鈥檚 America: Theater & Culture in a Time of Change, ed. Enoch Brater (Ann Arbor: University of Michigan Press, 2005): 94-108.
• 鈥淢aria Irene Fornes: Acts of Translation,鈥� in A Companion to Twentieth Century American Drama, ed. David Krasner (Oxford: Blackwell, 2005): 440-55.

Creative Writing, Books

• (Editor's Choice Series Selection, Main Street Rag Publishing Company, 2011)

Creative Writing, Journals

• Poems published in Southwest Review, Atlanta Review, North American Review, Margie, Southern Poetry Review, Poetry International, Dogwood, The Formalist, and elsewhere.

Creative Writing, Interviews and Readings

• 艾可直播 College Faculty Publication Highlight ()
• : October 25, 2011