艾可直播

• 听(Fordham University Press, 2021)
• (University of Minnesota Press, 2015)
• (University of Minnesota Press, 2011)
• (New York: Palgrave Macmillan, 2005)

Articles

• 鈥淯nrequited Love,鈥� in听Love, Etc., ed. Rita Felski and Camilla Schwartz (under contract, University of Virginia 听Press).
  
• 鈥淔irst Love,鈥� in听The Queerness of Childhood: Essays from the Other Side of the Looking Glass, ed. Anna Fishzon and Emma Lieber (New York: Palgrave Macmillan, 2022), 61-89.
• 鈥淩evision, Origin, and the Courage of Truth: Henry James鈥檚听New York Edition听Prefaces,鈥� in听After Queer Studies: Literary Theory and Critical Interpretation, ed. E.L. McCallum and Tyler Bradway (Cambridge: Cambridge University Press, 2019), 102-21.
• "Extreme Style: Firbank, Faulkner, and Perspectives on Modern Traditions," in Mikko Tuhkanen, ed.,Leo Bersani: Queer Theory and Beyond (Buffalo: SUNY Press, 2014), 249-78.
• 鈥�,鈥� The Henry James Review 33:1 (Winter 2012): 1鈥�16.
• 鈥溾赌楳y Spirit鈥檚 Posthumeity鈥� and the Sleeper's Outflung Hand: Queer Transmission in Absalom, Absalom!,鈥� in E.L. McCallum and Mikko Tuhkanen, eds., , (Buffalo: SUNY Press, 2011), 205-232.
• 鈥�,鈥� The South Atlantic Quarterly 110: 3 (Summer 2011) [(鈥淒igital Desire鈥�) edited by Ellis Hanson] 715-43.
• 听鈥淔orgetting The Tempest,鈥� in Madhavi Menon, ed., 听 (Durham, NC: Duke University Press, 2011), 351-60.
• 听鈥淪econd Thoughts: Queer Maud-Evelyn,鈥� in Kimberly Reed and Anna Despotopoulou, eds., (New York: Palgrave Macmillan, 2011), 137-48.
• 鈥�,鈥� Criticism: A Quarterly for Literature and the Arts 51: 4 (Fall 2009 [published 2010]): 521-57.
• 听鈥淗enry James.鈥� . 听Patrick O鈥橠onnell, Justus Nieland, and David Madden, eds (Blackwell Publishers, 2010 (UK)/ 2011 [US]).听
• 听鈥淐hildren,鈥� in David McWhirter, ed., (Cambridge: Cambridge University Press, 2010), 115-25.
• 鈥�,鈥欌�� The Henry James Review 29:2 (Spring 2008), 118-131.
• 鈥淭he Queer Atavisms of Hippolytus,鈥� The Pater Newsletter 58 (Spring 2008): 13-22.
• 鈥�,鈥� in Peter Rawlings, ed., Palgrave Advances in Henry James Studies (Basingstoke, UK: Palgrave Macmillan, 2007), 126-46.
• 鈥溾赌�,鈥� The Henry James Review 27:2 (Spring 2006): 140-55.
• 鈥溾赌�,鈥� ELH 72:3 (Fall 2005): 747-67.
• 鈥�,鈥� Victorian Literature and Culture 33 (2005): 435-49.
• 鈥�,鈥� Camera Obscura 58, vol. 20, no. 1 (2005): 148-83.
• 鈥�," in Steven Bruhm and Natasha Hurley, eds., Curiouser: On the Queerness of Children (U of Minnesota Press, 2004):81-106.
• 鈥淓rotic Bafflement and the Lesson of Oscar Wilde,鈥� Genre: Forms of Discourse and Culture XXXV (Summer 2002 [published 2003]): 309-330.
• 鈥�,鈥� GLQ: A Journal of Lesbian and Gay Studies 6:2 (2000), 195-248. 听Winner of the Crompton-Noll Award.
• 鈥溾赌�,鈥� African American Review 33:2 (Summer 1999), 261-81.
• 鈥�,鈥� Cinema Journal 38: 3 (Spring 1999), 27-49.
• [, eds., Keyframes: Popular Cinema & Cultural Studies (Routledge, 2001).]
• 鈥�,鈥� Nabokov Studies 5 (1998-9),153-78. 听

Reviews

• 鈥淩es Ipsa Loquitur.鈥� Review of Valerie Rohy, Lost Causes: Narrative, Etiology, and Queer Theory (Oxford: Oxford University Press, 2015) in Papers on Language and Literature 52, no 1 (Winter 2016): 91-102.
• Review of 艾可直播 Davis, Queer Beauty: Sexuality and Aesthetics from Winckelmann to Freud and Beyond (New York: Columbia University Press, 2010). Victorian Studies 55, no. 4 (Summer 2013): 693-95.
• 鈥�.鈥� Review of Kathryn Bond Stockton, The Queer Child (Durham: Duke UP, 2009) in GLQ: A Journal of Gay and Lesbian Studies 17:2-3 (2011), 438-441.听
• Review of Douglas Mao, (Princeton: Princeton UP, 2008), in Victorian Studies 51:4 (2010), 762-4.