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Event Recap

On January 22nd, the Boisi Center hosted a screening of Journey Films鈥� most recent documentary, 鈥淩evolution of the Heart: The Dorothy Day Story.鈥� The screening was followed by a panel discussion featuring Martin Doblmeier, the filmmaker and president of Journey Films; Jeannine Hill Fletcher, professor of theology at Fordham University; and Brianne Jacobs, assistant professor of theology at Emmanuel College.聽

The film, covering the breadth of her life, featured a series of vignettes that served to tell the story of how Dorothy Day was drawn first into advocating for peace, workers rights, and the poor and later into the founding of one of U.S. Catholicism鈥檚 most significant outreach movements, the Catholic Worker. From her upbringing in a journalist鈥檚 home, she, too, took up the occupation. It landed her on the front lines of events and protests influenced by Communists and Socialists, groups to which she was sympathetic. Her reporting led her into advocacy herself, which resulted in her being often jailed, first while demonstrating for suffrage in Washington, D.C. While in jail in D.C., she read the Psalms, just one example of her interest in religion, which would finally come to fruition in her becoming Catholic--but not before baptizing her daughter, Tamar, even before she herself was a member of the faith tradition. As a Catholic during the Depression, she wondered where the Church was taking up its biblical call to feed the hungry and clothe the naked and what her role might be in that. Her prayer was answered in Peter Maurin, who introduced her to Catholic Social Teaching and challenged her to view poverty as a gift to be taken up voluntarily.聽 Under his influence, Day began the聽Catholic Worker聽newspaper, whose readership exploded in the early years of its publication.聽 She was soon thereafter challenged by a reader of the Catholic Worker who, after showing up on her doorstep, asked why she wasn鈥檛 feeding the hungry herself if that鈥檚 what she wrote about--the birth of Houses of Hospitality immediately followed this encounter. Not without controversy--the Catholic Worker published articles challenging the justness of World War II and later Vietnam, which landed her under the watchful eye of U.S. intelligence for Communist activity as well as the recipient of the ire of more uncritically patriotic Americans--the Catholic Worker stood on its principles to grow from thirty Houses of Hospitality at her death in 1980 to 250 today. In 2000, Day was named 鈥淪ervant of God鈥� in the first step toward canonization as a saint--a title she emphatically resisted--and was recognized by Pope Francis as one of the four most influential persons in the U.S. in his 2015 speech to the joint meeting of Congress.

Following the screening, panelists engaged in a lively discussion. In it, Doblmeier discussed the challenge of filmmaking, especially in the Prophetic Voices series of which this film is a part, and the need to cater to a mixed audience in which some are completely unfamiliar with Dorothy Day while others know a lot but wish to know more.聽

Hill Fletcher commented on Dorothy Day鈥檚 lasting influence and how she should inspire us to cross lines and surpass barriers the way Day did in her work for justice. Her potential canonization affirms this challenge, and it should draw our attention to the importance of charity in justice. Jacobs argued that Day provides a powerful idea of what it means, particularly as a woman, to say yes to God and live in relation to God in the modern world.

Jacobs then asked Doblemeier what he might want viewers to reconsider about today鈥檚 world in light of Day鈥檚 story. He responded that the most relevant term he could think of was 鈥渁uthenticity.鈥� He highlighted that in a world of hypocrisy, Day鈥檚 authenticity should be an example.

Q&A with the audience followed the panel discussion, in which Doblmeier touched upon the connection he felt to Day鈥檚 granddaughters while working on the film. Two of them, Kate and Martha, appeared in the film. One is a writer and another a staunch activist. He remarked that, for him, they embody two important dimensions of Day鈥檚 legacy--they are two sides of the 鈥淒orothy Day coin.鈥�

An audience member asked whether the panelists could explain Day鈥檚 choice of Catholicism, as opposed to other faith traditions that might be more sympathetic to her involvement in the church as a woman or to her work for justice.聽 Jacobs noted in response that Day was likely drawn to Catholicism because of its image of the mystical body of Christ, which she saw as profoundly experienced by the Eucharist and mirrored in her work. Through the Eucharist, Day found the inspiration to bring those around her together through service.

Finally, Doblmeier noted that being a biographer is a 鈥渉umbling鈥� experience. He shared that Day scares him because she challenges him to live with greater intensity. He also noted, however, that this was the goal of his work--he would not create any but the kinds of films that scare us into being the people we ought to be.聽